This database contains all the information on announced UltraHD Blu-ray titles with as many details as we know. The information is taken from press releases, the IMDb, and other sources. Hopefully, this will let you make better-informed purchase decisions when you go to updates your titles to UltraHD. Of course, to watch any of these you’ll need a 4K UltraHD Blu-ray Player
and not a standard Blu-ray player. For more details on what UltraHD Blu-ray offers, see our post that goes along with this guide.
Hook 4K Blu-ray (1991)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 9, 2018 |
Notes | Shot on 35mm but a brand new 4K DI and HDR transfer. No soundtrack details yet. |
Hereditary 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | September 4, 2018 |
Notes | This is way too scary for me to watch on my own. |
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Bad Boys I and II 4K Blu-ray (1995)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 4, 2018 |
Notes | New 4K transfers and Dolby Atmos soundtracks. |
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Deadpool 2 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 21, 2018 |
Notes | 3.4K source but only a 2K DI. |
Buy From AmazonRead our Review |
Jack Ryan Collection 4K Blu-ray (1990)
Original Format(s) | Redcode RAW, 35mm |
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Master Format | 4K, 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | August 21, 2018 |
Notes | Native 4K transfers for the film-based movies, but only 2K for the recent Jack Ryan: Shadow Recruit. No object-based audio unfortunately. |
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The Avengers 4K Blu-ray (2012)
Original Format(s) | ARRIRAW (2.8K), Super 35 |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 14, 2018 |
Notes | 2K DI but WCG with HDR and Dolby Atmos. |
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Avengers: Infinity War 4K Blu-ray (2018)
Original Format(s) | Redcode RAW (6K), ALEXA 65, 70mm |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 14, 2018 |
Notes | A UHD release with a soundtrack that people can't agree on. |
Buy From AmazonRead our Review |
Avengers: Age of Ultron 4K Blu-ray (2015)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW, H.264 (4K), Redcode RAW (6K) |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 14, 2018 |
Notes | 2K DI but updated Dolby Atmos soundtrack. |
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Van Wilder 4K Blu-ray (2002)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | August 14, 2018 |
Notes | 35mm source but only a 2K DI. |
Higher Power 4K Blu-ray (2018)
Original Format(s) | H.264 (4K) |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | August 14, 2018 |
Notes | Shot at 1080p and 4K resolution, but only a 2K DI. |
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Predator 4K Blu-ray (1987)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 7, 2018 |
Notes | A new 4K scan and 4.0 (Dolby Pro Logic!) and 5.1 soundtracks. |
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The Death of Superman 4K Blu-ray (2018)
Original Format(s) | Animated |
---|---|
Master Format | 2K |
Features | HDR, Wide Color Gamut |
Release Date | August 7, 2018 |
Notes | Done digitally at 1080p so upscaled. |
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Transporter 3 4K Blu-ray (2008)
Original Format(s) | Super 35 |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | August 7, 2018 |
Notes | 2K DI from a 35mm shot that only looks OK. |
Buy From AmazonRead our Review |
Marrowbone 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 7, 2018 |
Notes | BestBuy exclusive until October 9, 2018. |
Stagecoach: The Texas Jack Story 4K Blu-ray (2016)
Original Format(s) | |
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Master Format | Unknown |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 7, 2018 |
Notes | No technical details available. |
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Rampage 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K), ALEXA 65 |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | July 17, 2018 |
Notes | Shot at 3.4K and 6.5K, but only with a 2K DI. Dolby Vision and Dolby Atmos. |
Buy From AmazonRead our Review |
The Quick and the Dead 4K Blu-ray (1995)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 17, 2018 |
Notes | Best Buy Exclusive at time of release. Has a new 4K master. |
A Quiet Place 4K Blu-ray (2018)
Original Format(s) | Super 35 |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | July 10, 2018 |
Notes | Shot on 35mm with a 2K DI and Dolby Vision. |
Buy From AmazonRead our Review |
The Equalizer 4K Blu-ray (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 10, 2018 |
Notes | Shot at 2.8K resolution with a 2K DI, but looks very good in HDR with a Dolby Atmos soundtrack. |
Buy From AmazonRead our Review |
Mission: Impossible – Ghost Protocol 4K Blu-ray (2011)
Original Format(s) | 35mm, 65mm |
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Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 26, 2018 |
Notes | 4K transfer from high-resolution elements, but no object-based audio. |
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Mission: Impossible 4K Blu-ray (1996)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 26, 2018 |
Notes | A new 4K transfer of the original negative, but no object-based audio. |
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Mission: Impossible – Rogue Nation 4K Blu-ray (2015)
Original Format(s) | ARRIRAW (3.4K), 35mm, ALEXA 65 |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 26, 2018 |
Notes | The only Mission: Impossible film that didn't get a 4K scan, but also the only one with an existing Atmos track that is used. |
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Mission: Impossible III 4K Blu-ray (2006)
Original Format(s) | Super 35 |
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Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 26, 2018 |
Notes | Uses 35mm and 1080p HDCAM SR sources with a 2K DI and 5.1 soundtrack. |
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Mission: Impossible II 4K Blu-ray (2000)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 26, 2018 |
Notes | Shot entirely on 35mm, it has a new 4K scan for this release but still just a 5.1 soundtrack. |
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Jack Reacher 4K Blu-ray (2012)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 26, 2018 |
Notes | Shot on 35mm with a 2K DI and no object-based audio. |
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Pacific Rim: Uprising 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 19, 2018 |
Notes | Unfortunately only a 2K DI. |
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Unsane 4K Blu-ray (2018)
Original Format(s) | |
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Master Format | 4K |
Features | Includes Blu-ray, HDR |
Release Date | June 19, 2018 |
Notes | Steven Soderbergh shot this all with an iPhone 7, so while it's a 4K DI, it's sourced from an iPhone. Only 5.1 audio as well, making this a curious 4K release. |
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(2018)
Original Format(s) | ARRIRAW (3.4K) |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 12, 2018 |
Notes | With a 3.4K source, native 4K DI, and Dolby Vision layer, Tomb Raider looks and sounds very good on 4K Blu-ray. |
Buy From AmazonRead our Review |
Forrest Gump 4K Blu-ray (1994)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 12, 2018 |
Notes | Shot on 35mm but given a new 4K transfer. Every other Best Picture nominee that year was better. |
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Terminator Genisys 4K Blu-ray (2015)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 12, 2018 |
Notes | 2.8K and 3.4K sources, but only a 2K digital intermediate. |
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Love, Simon 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | Unknown |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 12, 2018 |
Notes | A 2.8K source but unknown digital intermediate, and only a 5.1 channel lossless soundtrack. |
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Darkest Hour 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 12, 2018 |
Notes | It interestingly seems to be finished at 3.2K resolution as this very interesting article on the coloring and HDR grading indicates. Giving it credit for native 4K since the master is the same high-resolution as the source here and above 2K. |
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Dirty Grandpa 4K (2016)
Original Format(s) | ARRIRAW (3.4K) |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 12, 2018 |
Notes | Shot at 3.4K but only a 2K DI. |
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The Purge 4K Blu-ray (2013)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 12, 2018 |
Notes | |
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The Purge: Election Year 4K Blu-ray (2016)
Original Format(s) | ARRIRAW (3.4K) |
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Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 12, 2018 |
Notes | |
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The Purge: Anarchy 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 12, 2018 |
Notes | |
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The Incredibles 4K Blu-ray (2004)
Original Format(s) | Animated |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 5, 2018 |
Notes | Animated and rendered at 2K resolution. |
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Game of Thrones: The Complete First Season 4K Blu-ray (2011)
Original Format(s) | |
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Master Format | 2K |
Features | Dolby Atmos, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 5, 2018 |
Notes | Shot on HDCAM SR, which has a resolution of 1920x1080 but 4:2:2 or 4:4:4 chroma, so there is extra color information that can be upsampled to 4K. |
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A Wrinkle in Time 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K) |
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Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 5, 2018 |
Notes | Digital intermediate resolution is unknown. |
Buy From AmazonRead our Review |
Escape Plan 4K Blu-ray (2013)
Original Format(s) | ARRIRAW (2.8K) |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | June 5, 2018 |
Notes | Shot at 2.8K but with a 2K DI. |
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The Hurricane Heist 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K), ALEXA 65 |
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Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 5, 2018 |
Notes | High-resolution sources but an unknown resolution for the digital intermediate. |
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Annihilation 4K Blu-ray (2018)
Original Format(s) | Redcode RAW (6K), F65 RAW (4K) |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | May 29, 2018 |
Notes | Shot at 4K and 6K with a native 4K DI and Dolby Vision. Best Buy Exclusive until October 29, 2018 |
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Fury 4K Blu-ray (2014)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 22, 2018 |
Notes | Shot on 35mm, but with a 4K DI and an Atmos soundtrack. Has been available to stream in 4K HDR for a while from Amazon and others. |
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The Patriot 4K Blu-ray (2000)
Original Format(s) | Super 35 |
---|---|
Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 22, 2018 |
Notes | Shot on 35mm but details on the digital intermediate, and if there is a new 4K scan, are not known at this time. |
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The Matrix 4K Blu-ray (1999)
Original Format(s) | Super 35 |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | May 22, 2018 |
Notes | A new 4K DI transfer with a Dolby Vision layer and a Dolby Atmos soundtrack for this groundbreaking film. |
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Jurassic Park 25th Anniversary Collection 4K Blu-ray (1993)
Original Format(s) | 35mm, Redcode RAW (6K) |
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Master Format | 4K, 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 22, 2018 |
Notes | The film-based titles get a 4K transfer and every film gets an object-based soundtrack. Titles not available individually. |
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Black Panther 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | May 15, 2018 |
Notes | Fantastic video with a 4K DI and Dolby Vision image but a soundtrack that suffers from heavy compression. |
Buy From AmazonRead our Review |
Gladiator 4K Blu-ray (2000)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | May 15, 2018 |
Notes | Shot on 35mm originally, with a new 4K DI and a Dolby Vision layer, along with a DTS:X soundtrack. |
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Die Hard 4K Blu-ray (1988)
Original Format(s) | 35mm, 65mm |
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Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 15, 2018 |
Notes | Shot on 35mm, but the VFX shots were done on 65mm so they offer the extra resolution (similar to Blade Runner, which looked fantastic when transferred to 4K), but no object-based audio. |
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Braveheart 4K Blu-ray (1995)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | May 15, 2018 |
Notes | Shot on 35mm but with a new 4K DI and a Dolby Atmos soundtrack. Didn't deserve to win Best Picture |
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Source Code 4K Blu-ray (2011)
Original Format(s) | Redcode RAW, Super 35 |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | May 8, 2018 |
Notes | 2K digital intermediate but Dolby Vision and Dolby Atmos. |
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Saving Private Ryan 4K Blu-ray (1998)
Original Format(s) | 35mm |
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Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | May 8, 2018 |
Notes | Shot on 35mm with a very distinctive, grain-filled look, it's likely that Saving Private Ryan has received a new 4K transfer from the film for this release. It also includes an updated Dolby Atmos soundtrack and Dolby Vision. |
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Phantom Thread 4K Blu-ray (2017)
Original Format(s) | 35mm |
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Master Format | 4K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 8, 2018 |
Notes | Shot on 35mm (as Paul Thomas Anderson still loves film) but with a native 4K transfer and a DTS:X soundtrack. |
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Fifty Shades Freed 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (2.8K) |
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Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 8, 2018 |
Notes | Shot at 2.8K resolution with a 2K DI, the original showed good color and HDR with the same specs. |
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Mamma Mia! 4K Blu-ray (2008)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 1, 2018 |
Notes | Shot on 35mm with a 2K DI and a DTS:X soundtrack |
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Peter Rabbit 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 1, 2018 |
Notes | Shot at 3.4K but given the large amount of VFX work unsurprising to see a 2K DI. |
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Grease 4K Blu-ray (1978)
Original Format(s) | 35mm |
---|---|
Master Format | Unknown |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 24, 2018 |
Notes | Originally shot on 35mm, we would assume such an important catalog title would get a new 4K transfer but we don't know. Only having a 5.1 TrueHD soundtrack instead of Atmos or DTS:X might indicate they haven't gone back to the original elements for this. |
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Hostiles 4K Blu-ray (2017)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 24, 2018 |
Notes | A true 4K digital intermediate from the 35mm source, but only a 5.1 DTS-HD Master Audio soundtrack. |
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A Few Good Men 4K Blu-ray (1992)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 24, 2018 |
Notes | The original 35mm negative has been scanned at 4K and the soundtrack has been given an update to Dolby Atmos. |
Buy From AmazonRead our Review |
Maze Runner: The Death Cure 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K) |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 24, 2018 |
Notes | Shot with a 3.4K negative, but only a 2K DI. |
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The Commuter 4K Blu-ray (2018)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 17, 2018 |
Notes | A 3.4K source with a 4K DI should present a sharp image on Blu-ray. |
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The Post 4K Blu-ray (2017)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 17, 2018 |
Notes | Native 4K DI retains the native look of the film but surprising no object-based soundtrack for such a recent, and high profile, film. |
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The Incredible Hulk 4K Blu-ray (2008)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 10, 2018 |
Notes | Shot on 35mm with a 2K DI, but that can still lead to a fantastic looking 4K disc if done right. |
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Knowing 4K Blu-ray (2009)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 10, 2018 |
Notes | Soundtrack details are still unknown. |
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Suicide Squad: Hell to Pay 4K Blu-ray (2018)
Original Format(s) | Animated |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 10, 2018 |
Notes | Only a 5.1 channel DTS-HD Master Audio soundtrack. |
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Push 4K Blu-ray (2008)
Original Format(s) | Super 35 |
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Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 10, 2018 |
Notes | Also some 16mm source formats. |
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The Greatest Showman 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ALEXA 65 |
---|---|
Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 10, 2018 |
Notes | Conflicting information about if the digital intermediate is 2K or 4K. |
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Star Wars: The Last Jedi 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K), Super 35, ALEXA 65 |
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Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | March 27, 2018 |
Notes | Shot on a wide variety of sources, but with a 4K digital intermediate (VFX likely 2K resolution) presented in Dolby Vision. |
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Jumanji: Welcome to the Jungle 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | March 20, 2018 |
Notes | 2K digital intermediate in Dolby Vision. |
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Pitch Perfect 3 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 20, 2018 |
Notes | Dolby Vision in cinemas but not on the disc. |
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Pitch Perfect 4K Blu-ray (2012)
Original Format(s) | |
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Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 20, 2018 |
Notes | Captured on an Arri camera, but only at 1080p resolution but 444 sampling so can still benefit from HDR and WCG. |
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Pitch Perfect 2 4K Blu-ray (2015)
Original Format(s) | |
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Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 20, 2018 |
Notes | Captured with an Arri camera at 1080p, but at 444 sampling so still can benefit from HDR and WCG. |
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Justice League 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K), 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | March 13, 2018 |
Notes | Shot on a combination of formats with a 2K digital intermediate and a Dolby Vision image. |
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The Shape of Water 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 13, 2018 |
Notes | Only a 5.1 soundtrack, not Atmos or DTS:X. |
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Ferdinand 4K Blu-ray (2017)
Original Format(s) | Animated |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 13, 2018 |
Notes | Animated but at 2K resolution. |
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Thor: Ragnarok 4K Blu-ray (2017)
Original Format(s) | ALEXA 65 |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 6, 2018 |
Notes | |
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Blue Planet II 4K Blu-ray (2017)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 4K |
Features | HDR, Wide Color Gamut |
Release Date | March 6, 2018 |
Notes | |
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The Dark Crystal 4K Blu-ray (1982)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 6, 2018 |
Notes | Features a new 4K master from the original 35mm and a new Dolby Atmos soundtrack. |
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Three Billboards Outside Ebbing, Missouri 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 27, 2018 |
Notes | Unable to locate a press release for the title, so soundtrack details are unknown. |
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Zero Dark Thirty 4K Blu-ray (2012)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 27, 2018 |
Notes | Originally a Best Buy exclusive, now available everywhere. |
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Coco 4K Blu-ray (2017)
Original Format(s) | Animated |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 27, 2018 |
Notes | Animated but at 2K resolution. |
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Murder on the Orient Express 4K Blu-ray (2017)
Original Format(s) | ALEXA 65, 70mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 27, 2018 |
Notes | Shot on a combination of the Alexa65 and 70mm film with a 4K digital intermediate, the image should be very detailed. |
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Straight Outta Compton 4K Blu-ray (2015)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 27, 2018 |
Notes | A 6K source but only a 2K digital intermediate. |
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Lara Croft: Tomb Raider 4K (2001)
Original Format(s) | Super 35 |
---|---|
Master Format | Unknown |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 27, 2018 |
Notes | DTS-HD Master Audio 5.1 soundtrack. Shot on film with an unknown digital intermediate. |
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Lara Croft Tomb Raider: The Cradle of Life 4K Blu-ray (2003)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 27, 2018 |
Notes | DTS-HD Master Audio 5.1 soundtrack and shot on 35mm. |
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Daddy’s Home 2 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K), Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 20, 2018 |
Notes | |
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Daddy’s Home 4K Blu-ray (2015)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 20, 2018 |
Notes | Shot on an Arri Alexa, but resolution is unknown (2.8K or 3.4K). |
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Hell or High Water 4K Blu-ray (2016)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 13, 2018 |
Notes | Box says it has an Atmos track, but the disc does not contain one. |
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Wonder 4K Blu-ray (2017)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | February 13, 2018 |
Notes | No object-based soundtrack, and a 2K DI, but Dolby Vision. |
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Batman: Gotham by Gaslight (2018)
Original Format(s) | Animated |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 6, 2018 |
Notes | Only a 5.1 DTS-HD MA audio track. |
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Groundhog Day 4K Blu-ray (1993)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 23, 2018 |
Notes | New 4K transfer and Best Buy only for the initial release. |
Jigsaw 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | January 23, 2018 |
Notes | |
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10 Cloverfield Lane 4K Blu-ray (2016)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | January 23, 2018 |
Notes | 6K source, but only a 2K DI, with Dolby Vision. |
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Cloverfield 4K Blu-ray (2008)
Original Format(s) | Panavision Genesis HD (1080p) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | January 23, 2018 |
Notes | Only a 1080p source, so all benefits will be from HDR, WCG, and lower compression. 5.1 channel soundtrack. |
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Earth: One Amazing Day 4K Blu-ray (2017)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | January 23, 2018 |
Notes | 4K sources, a 4K master, and Dolby Vision. |
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Blade Runner 2049 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 16, 2018 |
Notes | Native 4K transfer including a Dolby Atmos track (but no Dolby Vision). |
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Across the Universe (2007)
Original Format(s) | Super 35 |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 9, 2018 |
Notes | Shot on 35mm but IMDB says it has a 4K DI, so we might see a very nice film presentation here. |
It 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | January 9, 2018 |
Notes | |
Buy From AmazonRead our Review |
Across the Universe 4K Blu-ray (2007)
Original Format(s) | Super 35 |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 9, 2018 |
Notes | Shot on 35mm, but given a new 4K transfer and Atmos soundtrack for the 4K Blu-ray release. |
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American Made 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 2, 2018 |
Notes | |
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Dunkirk 4K Blu-ray (2017)
Original Format(s) | 65mm |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 19, 2017 |
Notes | Shot on 65mm with a 4K digital intermediate, Dunkirk has the potential to look as good or better than film titles like Blade Runner on UHD. Unfortunately, it doesn't have a Dolby Atmos soundtrack according to the press release, only DTS-MA HD. |
Despicable Me 3 4K Blu-ray (2017)
Original Format(s) | Animated |
---|---|
Master Format | Unknown |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | December 5, 2017 |
Notes | While details on the Digital Intermediate cannot be found right now, since most animated films are done at 2K it will surprise us if this is any different. The 4K Blu-ray offers a DTS:X soundtrack and Dolby Vision image. |
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Jumanji 4K Blu-ray (1995)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 5, 2017 |
Notes | New 4K scan from the original 35mm. |
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Men in Black Trilogy 4K Blu-ray (1997)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 5, 2017 |
Notes | Shot on 35mm but with 4K transfers. |
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Transformers 4K Blu-ray (2007)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | December 5, 2017 |
Notes | Shot on 35mm with a 2K digital intermediate. |
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Transformers: Dark of the Moon 4K Blu-ray (2011)
Original Format(s) | Redcode RAW, 35mm, Sony F35 (1080p) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | December 5, 2017 |
Notes | Shot on a wide variety of formats, but a 2K DI that uses Dolby Vision. |
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Transformers: Revenge of the Fallen 4K Blu-ray (2009)
Original Format(s) | Super 35, 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | December 5, 2017 |
Notes | Shot on multiple formats, but a 2K DI with Dolby Vision. |
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Transformers: Age of Extinction 4K Blu-ray (2014)
Original Format(s) | Redcode RAW, 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | December 5, 2017 |
Notes | Shot on 35mm and Red Epic Dragon with a 2K DI and Dolby Vision. |
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Valerian 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | November 21, 2017 |
Notes | Shot on an ARRI at 2.8K or 3.4K resolution (unsure currently), Valerian will include both Dolby Atmos and Dolby Vision on the 4K Blu-ray release. |
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Westworld 4K Blu-ray (2017)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | November 7, 2017 |
Notes | Shot on 35mm in 3-perf Super35, the image should be relatively sharp but with possibly more HDR noise than something shot digitally. Dolby Vision and Dolby Atmos allow for a better presentation than you got on TV. |
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The Dark Tower 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K), ALEXA 65 |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | October 31, 2017 |
Notes | It features a 4K DI, coming from Alexa 65 and 2.8K elements, and offers Dolby Vision so it should look fantastic on 4K Blu-ray. |
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Spider-Man: Homecoming 4K Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut, Dolby Vision |
Release Date | October 17, 2017 |
Notes | Only a 2K DI but it is in Dolby Vision which should make for a movie that looks wonderful at home on a Dolby Vision setup. |
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Serenity 4K Blu-ray (2005)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 17, 2017 |
Notes | Shot on 35mm with a 2K DI and a new DTS:X soundtrack. |
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Kick-Ass (2010)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 3, 2017 |
Notes | Like other Lionsgate catalog titles, the UHD version of Kick-Ass is derived from scanning a run-off print of the original at 4K resolution and not directly from the digital intermediate. |
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The Mummy 4K Blu-ray (2017)
Original Format(s) | Super 35, ALEXA 65 |
---|---|
Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 12, 2017 |
Notes | While shot with 35mm and 6.5K sources, we don't know what the source resolution of the digital intermediate is. It was also available in Dolby Cinema at the theater, but no notes about Dolby Vision for the home release though Universal has supported it. |
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Baywatch UltraHD Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | Unknown |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 29, 2017 |
Notes | Baywatch was shot with an Arri Alexa XT camera, but it isn't specified if it was 2.8K or open gate 3.4K resolution. No current details on the digital intermediate can be found, but it was released in cinemas using Dolby Vision, so we can hope they apply that to the home release but it is unlikely. |
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Guardians of the Galaxy 2 4K Blu-ray (2017)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 22, 2017 |
Notes | Shot on the Red Weapon, GotG2 has an 8K negative, but only a 2K DI format. The streaming UHD version is also available in Dolby Vision, but not the disc, so hopefully the included streaming copy lets you watch the DV version for comparison as well. |
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Ghost in the Shell UltraHD Blu-ray (2017)
Original Format(s) | ALEXA 65 |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 25, 2017 |
Notes | Shot in 5K but with a 2K DI, it features an Atmos soundtrack and should offer some benefits with HDR and WCG over the standard Blu-ray. |
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Kong: Skull Island UltraHD Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 18, 2017 |
Notes | Shot at 3.4K but with a 2K master, we can expect improvements with HDR and WCG, as well as an Atmos soundtrack on the UHD disc. |
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The Fifth Element UltraHD Blu-ray (1997)
Original Format(s) | Super 35 |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 11, 2017 |
Notes | Sony has said this is a 4K restoration and claimed that for both the theatrical release this year and their prior Blu-ray release, so we expect it uses a 4K scan of the original negative. With an Atmos soundtrack, this is hopefully the definitive home version of the film. |
Leon: The Professional UltraHD Blu-ray (1994)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 11, 2017 |
Notes | Shot on 35mm but with a 4K transfer, Leon: The Professional should offer benefits with the increased resolution and color gamut of UHD Blu-ray. How much they'll go back and add for HDR is unknown. |
Life UltraHD Blu-ray (2017)
Original Format(s) | ARRIRAW (3.4K), ALEXA 65 |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 20, 2017 |
Notes | Shot on 3.4K and 6.5K elements but with only a 2K DI, we can expect some benefits from HDR and WCG, but not a large improvement in resolution. No soundtrack was specified but given it had an Atmos track in theaters, we expect that to be on the disc. It also featured a Dolby Vision/Cinema release, but no notes on that were available either. |
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John Wick 2 UltraHD Blu-ray (2017)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 13, 2017 |
Notes | Soundtrack details currently unknown, but unlike the original this seems to have been finished with a 2K DI instead of a 4K DI. Hopefully this is incorrect but still waiting for details from the studio. |
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Ex Machina UltraHD Blu-ray (2014)
Original Format(s) | F65 RAW (4K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 6, 2017 |
Notes | Shot in 4K using a Sony F65 camera, but only a 2K digital intermediate. Since the film is FX heavy unlikely to have a new transfer that would require new VFX, but should benefit from HDR/WCG improvements. |
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Snitch UltraHD Blu-ray (2013)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 6, 2017 |
Notes | Shot at 5K but only with a 2K DI. |
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3:10 to Yuma UltraHD Blu-ray (2007)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, Wide Color Gamut |
Release Date | May 2, 2017 |
Notes | A 2K DI, but an updated DTS:X soundtrack raises hopes they might have improved upon this. A making-of documentary, featurettes, deleted scenes, commentary, and more on the disc. |
Buy From AmazonRead our Review |
La La Land UltraHD Blu-ray (2016)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 25, 2017 |
Notes | Shot on 35mm film, the movie does have a very wide gamut that the UHD version should benefit, and it has an all new Atmos track for home. |
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Underworld: Blood Wars UltraHD Blu-ray (2016)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 18, 2017 |
Notes | Shot at 6K resolution with a 4K master, this release should look better than the UHD release of the original film. No soundtrack specifications yet, but it was shown in Atmos at theaters. |
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Furious 7 UltraHD Blu-ray (2015)
Original Format(s) | ARRIRAW (3.4K), 35mm, Redcode RAW (6K), F65 RAW (4K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 28, 2017 |
Notes | There are a number of different sources for the film, but it is still finished at 2K resolution. Like Fast & Furious 6, this has been given a new DTS:X immersive soundtrack. |
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Fast & Furious 6 UltraHD Blu-ray (2013)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 28, 2017 |
Notes | Only a 2K DI master from the 35mm source, but a new DTS:X immersive soundtrack is present. |
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Fantastic Beasts and Where to Find Them UltraHD Blu-ray (2016)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 28, 2017 |
Notes | The source is 3.4K resolution and the digital intermediate was done at 4K so it should look good when released. Also includes an Atmos soundtrack. |
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Harry Potter and the Deathly Hallows Pt.2 UltraHD Blu-ray (2011)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 28, 2017 |
Notes | All the Harry Potter films were shot on 35mm film with 2K digital intermediates, so we don't know how it will look. An updated DTS:X soundtrack will be good to have however. |
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Harry Potter and the Deathly Hallows Pt.1 UltraHD Blu-ray (2010)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 28, 2017 |
Notes | All the Harry Potter films were shot on 35mm with 2K digital intermediates and we don't know what transfer these UltraHD Blu-ray discs use. They do have new DTS:X soundtracks. |
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Harry Potter and the Order of the Phoenix UltraHD Blu-ray (2007)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 28, 2017 |
Notes | All the Harry Potter films were shot on 35mm with 2K digital intermediates, though we don't know the source for these UltraHD Blu-ray discs yet. They do feature new DTS:X soundtracks. |
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Harry Potter and the Half Blood Prince UltraHD Blu-ray (2009)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 28, 2017 |
Notes | All the Harry Potter films were shot on 35mm and have 2K digital intermediates. We don't know the source used for these UltraHD Blu-ray versions yet. They do feature updated DTS:X soundtracks. |
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Assassin’s Creed UltraHD Blu-ray (2016)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW (6K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 21, 2017 |
Notes | With a 4K digital intermediate, and sources that include native 3.4K and 6K digital cameras and using Panavision Super 70 lenses, the image itself should be as pristine as you can get today on UltraHD Blu-ray. |
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Passengers UltraHD Blu-ray (2016)
Original Format(s) | ALEXA 65 |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 14, 2017 |
Notes | Shot with the Arri Alexa 65 camera and a 4K digital intermediate, Passengers should look fantastic as other films with that camera and a 4K DI (The Revenant) have. Soundtrack details are not available yet but the UHD version also includes the 3D disc. |
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Allied UltraHD Blu-ray (2016)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 28, 2017 |
Notes | While the soundtrack details aren't available yet, the sources for the film are 6K and 8K resolution with color grading and a final digital intermediate done at 4K resolution. VFX are apparently only done at 3K resolution, but overall this should be a fantastic looking film. |
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Hacksaw Ridge UltraHD Blu-ray (2016)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 21, 2017 |
Notes | Despite a 3.4K source and an Atmos soundtrack, we only get a 2K digital intermediate for one of the better reviewed movies from 2016. |
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Arrival UltraHD Blu-ray (2016)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 14, 2017 |
Notes | Despite being one of the most praised films of 2016, Arrival features a 2K digital intermediate and no Atmos or DTS:X soundtrack. |
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Billy Lynn’s Long Halftime Walk UltraHD Blu-ray (2016)
Original Format(s) | F65 RAW (4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 14, 2017 |
Notes | Billy Lynn was shot in native 4K, but also shot at 120 frames per second instead of the usual 24. Since that is beyond current UltraHD displays, the disc is only at 60 frames per second, but is still the only UHD title to offer that. With a 4K source, 4K digital intermediate, and an Atmos soundtrack it should look and sound fantastic. The main question is will have 2.5x as many frames as other films lead to worse compression? |
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John Wick UltraHD Blu-ray (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 7, 2017 |
Notes | Shot at 2.8K with an Arri Alexa and with a 4K digital intermediate, John Wick should offer improvements on the Blu-ray. The Atmos soundtrack on Blu-ray was already reference quality, and this looks to be a good 4K release timed to capitalize on the sequel. |
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Trolls UltraHD Blu-ray (2016)
Original Format(s) | Animated |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | February 7, 2017 |
Notes | While animated, Trolls only sports a 2K digital intermediate though Sausage Party looked great while only using a 2K DI. Soundtrack info is not confirmed yet, but it did have an Atmos track in theaters. |
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Jack Reacher: Never Go Back UltraHD Blu-ray (2016)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 31, 2017 |
Notes | Shot on 35mm with a 2K digital intermediate, Jack Reacher won't offer all the potential of UltraHD resolution but does have an Atmos soundtrack. |
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Inferno UltraHD Blu-ray (2016)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 24, 2017 |
Notes | While captured at 3.4K and 6K, they chose to only do a 2K digital intermediate for Inferno. The disc does feature a Dolby Atmos soundtrack, though. |
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Keeping Up with the Joneses UltraHD Blu-ray (2016)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 17, 2017 |
Notes | Shot on 35mm but with a 2K DI, likely a slight uptick in detail from the Blu-ray but no Atmos or DTS:X audio. |
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Battleship UltraHD Blu-ray (2012)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 17, 2017 |
Notes | Shot on Super35 with a 2K DI, the biggest improvement here is likely the DTS:X soundtrack. As a visual effects heavy film, the CGI will probably be less realistic with the higher resolution of UHD. |
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Resident Evil: Afterlife UltraHD Blu-ray (2010)
Original Format(s) | F65 RAW (4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR |
Release Date | January 17, 2017 |
Notes | Shot on an F35 which only offers 1080p resolution, Resident Evil: Afterlife should gain some benefit from better color subsampling and the extra shadow detail allowed with HDR content (press materials don't mention WCG and neither does the packaging). An Atmos soundtrack is also an improvement from prior versions. |
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The Girl on the Train UltraHD Blu-ray (2016)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 17, 2017 |
Notes | Shot on Super35 with a 2K DI the image quality will really depend on the quality of the film transfer, though a DTS:X soundtrack is good to see. |
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The Birth of a Nation UltraHD Blu-ray (2016)
Original Format(s) | ARRIRAW (2.8K), Redcode RAW |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 10, 2017 |
Notes | Shot with 2.8K ARRI and 5K RED sources but only with a 2K DI. Unfortunately no Atmos or DTS:X soundtrack either. |
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Deepwater Horizon UltraHD Blu-ray (2016)
Original Format(s) | ARRIRAW (3.4K), ALEXA 65 |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 10, 2017 |
Notes | Shot on an ARRI in 3.4K (with one scene shot with an ARRI Alexa 65) but a 2K Digital Intermediate. |
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The Accountant UltraHD Blu-ray (2016)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | January 10, 2017 |
Notes | Shot on 35mm but with a 2K Digital Intermediate and no Atmos or DTS:X soundtrack. |
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Miss Peregrine’s Home for Peculiar Children (2016)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 13, 2016 |
Notes | Shot on the Arri in 2.8K resolution with an Atmos soundtrack, the UHD Blu-ray release of Miss Peregrine should offer all the detail that is possible based on the original elements. |
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Suicide Squad (2016)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 13, 2016 |
Notes | The 4K version is the theatrical cut while the Blu-ray version is an extended version with 13 minutes of additional footage. Some footage is shot in native 4K using a 1000fps high speed camera, while most is shot on 35mm, but the digital intermediate is only 2K. |
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The Bourne Legacy (2012)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Shot on Super 35mm with a 2K digital intermediate, The Bourne Legacy will benefit from a DTS:X audio track and a likely increase in detail. It won't be as good as if they did a native 4K transfer, though. |
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The Bourne Ultimatum (2007)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Shot on Super 35mm like most of the Bourne films, this one also has a 2K digital intermediate originally. Will offer improvements over the Blu-ray, including a DTS:X audio track, but unlikely to get a native 4K transfer. |
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The Bourne Supremacy (2004)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Like the first film, this was shot on 35mm but is known to have a 2K digital intermediate. Hopefully they went back to make a 4K scan, but if not it will offer some improvements over the prior Blu-ray and has a DTS:X audio track. |
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The Bourne Identity (2002)
Original Format(s) | Super 35 |
---|---|
Master Format | |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Originally shot on 35mm, no details on the format of the digital intermediate used for this release are currently available. If they went back to make a 4K DI, it could look fantastic. If they're just upscaling an existing 2K one then it will improve, but not as much as it could. |
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Argo (2012)
Original Format(s) | ARRIRAW (2.8K), 35mm |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Argo was shot on a wide variety of elements, including 8mm, 16mm, 35mm, and 2.8K Alexa cameras in order to capture the look and feel of Iran in 1980. A 4K digital intermediate should allow the full look and detail for all of these to come through on UltraHD Blu-ray. |
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Goodfellas (1990)
Original Format(s) | 35mm |
---|---|
Master Format | |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Unknown what the existing transfer for Goodfellas is, but being shot on 35mm and likely free of VFX work to redo means a new 4K scan should be possible to get the full UltraHD benefit. No mention of an updated Atmos or DTS:X soundtrack is mentioned. |
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The Town (2010)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Originally shot on 35mm, The Town will benefit if they have a new 4K scan but not as much as if they use the existing 2K master. No updated soundtrack is mentioned in the press materials, only that it is in 4K with HDR. |
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I Am Legend (2007)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | Originally shot on 35mm, I Am Legend would really benefit if an updated 4K scan was done, but no mention of that is made in the press materials. Also no indication that there will be an updated soundtrack, just that it's in 4K with HDR. |
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Jason Bourne (2016)
Original Format(s) | ARRIRAW (2.8K), Super 35, Redcode RAW (6K) |
---|---|
Master Format | 4K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | While the visual effects are only done at 2K resolution, the rest of the image is a true 4K transfer with high resolution source elements and should benefit from UltraHD. It is also one of the few titles to support DTS:X instead of Dolby Atmos for surround. |
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The Secret Life of Pets (2016)
Original Format(s) | |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | December 6, 2016 |
Notes | The Secret Life of Pets is all digital, but a 2K master. It does offer a Dolby Atmos soundtrack and the included Blu-ray has plenty of bonus content. |
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The Hunger Games: Mockingjay – Part 2 (2015)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | November 8, 2016 |
Notes | The negative is only a 2.8K master, but it has a 4K digital intermediate, so some increase in resolution will be present but the addition of high dynamic range and wide color gamut might be more apparent. |
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The Hunger Games: Mockingjay – Part 1 (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | November 8, 2016 |
Notes | A 4K digital intermediate but only a 2.8K source means we should see some improvement in resolution, but the gains from wide color gamut and high dynamic range might be more visible. |
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The Hunger Games: Catching Fire (2013)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | November 8, 2016 |
Notes | Shot on 35mm and 65mm film, with a 4K digital intermediate it should look very good on UltraHD Blu-ray. |
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The Hunger Games (2012)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | November 8, 2016 |
Notes | The only member of the Hunger Games series without an 4K digital intermediate, it does get a Dolby Atmos soundtrack for this release. |
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Star Trek Beyond (2016)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | November 1, 2016 |
Notes | Unfortunately it seems we only get a 2K DI for the most recent Star Trek film. With Atmos, HDR and WCG it should still look and sound good, just not as good as it could be. |
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Crouching Tiger, Hidden Dragon (2000)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 18, 2016 |
Notes | There is a 4K master available, though the UltraHD version that you can stream on Netflix is very soft. Unsure if it's the same master, or if that is just related to Netflix compression. Updated Atmos soundtrack could be very impressive. |
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Independence Day Resurgence (2016)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 18, 2016 |
Notes | With a 4K Digital Intermediate, Independence Day should look very good on UltraHD Blu-ray. |
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The Legend of Tarzan (2016)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 11, 2016 |
Notes | 2K VFX and 2K Digital Intermediate despite 6K RAW footage. Home audio format currently unknown. |
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Angels & Demons (2009)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 11, 2016 |
Notes | Shot on 35mm but with a 4K Digital Intermediate, it should benefit from UHD resolution but with a fine film grain likely to be present. |
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Ghostbusters (2016) (2016)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 11, 2016 |
Notes | Only a 2.8K master and a 2K digital intermediate, so it won't get the full benefits of UltraHD. |
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Ice Age: Collision Course (2016)
Original Format(s) | |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 11, 2016 |
Notes | Even though it's a full digital film, the digital intermediate is only 2K. |
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The Da Vinci Code (2006)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 11, 2016 |
Notes | Shot on 35mm but with a 4K digital intermediate it should benefit from UHD resolution with a fine film grain likely present. |
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Jupiter Ascending (2015)
Original Format(s) | ARRIRAW (2.8K), Redcode RAW |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 4, 2016 |
Notes | Jupiter Ascending has a mish-mash of source formats, but in the end wound up with a 2K DI so lots of detail will be lost on this final release. The existing Blu-ray has Atmos, so HDR and WCG are what you'll gain from this release. |
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Pacific Rim (2013)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 4, 2016 |
Notes | Unfortunately saddled with a 2K DI, Pacific Rim has still looked fantastic in the Dolby Vision streaming version thanks to WCG and HDR. Despite a 5K source it's unlikely they went back and made a new transfer or 4K VFX, but it will still look and sound great. |
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X-Men: First Class (2011)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 4, 2016 |
Notes | 2K digital intermediate, so unknown if they'll have a new scan. |
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The Great Gatsby (2013)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 4, 2016 |
Notes | VFX were finished at 2.5K resolution, but the digital intermediate is only 2K. Could go back to rescan some of the 5K source material to take advantage of UHD, but unknown if they did. |
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X-Men: Apocalypse (2016)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | October 4, 2016 |
Notes | 4K Digital Intermediate should result in a good looking UHD Blu-ray disc. |
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Mike & Dave Need Wedding Dates (2016)
Original Format(s) | ARRIRAW (2.8K), Redcode RAW |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 27, 2016 |
Notes | Shot in 2.8K and 5K resolution, but with a 2K digital intermediate and an unknown soundtrack format. |
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Central Intelligence (2016)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 27, 2016 |
Notes | Central Intelligence only has a 2.8K master with a 2K digital intermediate and an unknown audio format, so it's unlikely to get much benefit from UltraHD. |
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Everest (2015)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 27, 2016 |
Notes | While using 3.4K and 6K elements, the UHD Blu-ray only uses a 2K digital intermediate. |
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Warcraft (2016)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 27, 2016 |
Notes | While it has a 4K Digital Intermediate, VFX are only rendered at 2K and the source resolution is 3.4K. Audio is still TBA. |
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The Shallows (2016)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 27, 2016 |
Notes | Shot using 4K elements, unfortunately a 2K Digital Intermediate means the final result is upscaled UHD. |
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Teenage Mutant Ninja Turtles: Out of the Shadows (2016)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 20, 2016 |
Notes | TMNT: Out of the Shadows only uses a 2K Digital Intermediate. |
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Labyrinth (1986)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray |
Release Date | September 20, 2016 |
Notes | Originally shot on 35mm, the 30th Anniversary release sees a new 4K restoration and an updated Dolby Atmos soundtrack. No mention is made of WCG or HDR support currently. |
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Now You See Me 2 (2016)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | September 6, 2016 |
Notes | Now You See Me 2 uses a 2K digital intermediate so it won't see the full benefit of UltraHD resolution. |
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The Huntsman: Winter’s War (2016)
Original Format(s) | ARRIRAW (3.4K), ALEXA 65 |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 23, 2016 |
Notes | Shot with ARRI equipment at 3.4K and 6.5K native resolution, but only a 2K digital intermediate. |
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The Angry Birds Movie (2016)
Original Format(s) | |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 16, 2016 |
Notes | Supposedly mastered in 2K, with no Atmos track on release, there seems to be little reason to get this over the standard Blu-ray release. |
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Lone Survivor (2013)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 9, 2016 |
Notes | Shot at 5K resolution on Redcode RAW, but only a 2K master. Does include a DTS:X soundtrack. |
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Lucy (2014)
Original Format(s) | ARRIRAW (2.8K), Redcode RAW, F65 RAW (4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 9, 2016 |
Notes | Shot with mostly 4K native elements, and mastered at 4K with an Atmos soundtrack, Lucy should prove to be good demo material once released on UltraHD Blu-ray. |
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Oblivion (2013)
Original Format(s) | Redcode RAW, F65 RAW (4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | August 9, 2016 |
Notes | Shot in 4K but mastered at 2K, this will be the first home release with an Atmos soundtrack. Also should benefit from HDR and WCG, since it's been used for demos of those features by Dolby, but likely not a new 4K master. |
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Batman v Superman: Dawn of Justice (2016)
Original Format(s) | ARRIRAW (3.4K), 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 19, 2016 |
Notes | Batman v Superman is shot on a wide variety of sources, including 16mm, 35mm, IMAX, and ARRIRAW 3.4K. According to an interview with the cinematographer (http://www.theasc.com/ac_magazine/April2016/ClashTitans/page4.php) the 35mm sources were scanned at 2K and the IMAX sources at 8K, with final mastering done at 4K. So it might be a mix of quality throughout the UltraHD Blu-ray version. |
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Divergent (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 12, 2016 |
Notes | The Blu-ray has an Atmos soundtrack, but final details on the UHD release aren't available yet. Hopefully the soundtrack is carried over but it has a 2K digital intermediate. |
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Allegiant (2016)
Original Format(s) | ARRIRAW (3.4K), ALEXA 65 |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 12, 2016 |
Notes | Allegiant was shot on 3.4K and 6.5K resolution ARRI cameras, with a 4K master and Dolby Atmos soundtrack. The UltraHD Blu-ray release should be very high quality based on those sources. |
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Insurgent (2015)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | July 12, 2016 |
Notes | Full specs are not available yet, but as the original Blu-ray release was in Dolby Atmos, hopefully the UHD release is Atmos as well. |
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Eddie The Eagle (2016)
Original Format(s) | Redcode RAW |
---|---|
Master Format | |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 14, 2016 |
Notes | Almost no details on production formats available, aside from using a Red Epic Dragon camera. |
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Star Trek: Into Darkness (2013)
Original Format(s) | Redcode RAW, 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 14, 2016 |
Notes | Originally shot in 35mm and mastered in 2K, both of the recent Star Trek films have been remastered in 4K for a UHD Blu-ray release. The soundtrack has been redone in Dolby Atmos, and a plethora of extra features have been included here as well. |
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Star Trek (2009) (2009)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 14, 2016 |
Notes | Originally shot in 35mm and mastered in 2K, both of the recent Star Trek films have been remastered in 4K for a UHD Blu-ray release. The soundtrack has been redone in Dolby Atmos, and a plethora of extra features have been included here as well. |
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In the Heart of the Sea (2015)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 7, 2016 |
Notes | |
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Independence Day (1996)
Original Format(s) | 35mm |
---|---|
Master Format | |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 7, 2016 |
Notes | According to the notes from Fox, this will be loaded up with almost all the extras from past Blu-ray versions and it includes a new DTS:X soundtrack. There is no mention of if there is a new 4K scan done or not, but almost certainly the VFX are not being redone at higher resolution. With a new film coming out this might just be trying to capture that audience, but if it's a new scan it might be the best looking version of Independence Day we will get. |
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Ghostbusters II (1989)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 7, 2016 |
Notes | Ghostbusters II was part of the "Mastered in 4K" Blu-ray series for Sony, so likely a new transfer was done for that from the original 35mm elements. UltraHD Blu-ray release should then offer benefits over the original Blu-ray versions. |
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Ghostbusters (1984)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | June 7, 2016 |
Notes | Ghostbusters was part of the "Mastered in 4K" Blu-ray series for Sony, so likely a new transfer was done for that from the original 35mm elements. UltraHD Blu-ray release should then offer benefits over the original Blu-ray versions. |
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Gods of Egypt (2016)
Original Format(s) | Redcode RAW (6K) |
---|---|
Master Format | 2K |
Features | DTS:X, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 31, 2016 |
Notes | One of the first UHD Blu-ray titles with a DTS:X soundtrack, all of the VFX were done at 2K resolution so there will be lots of upscaling on this release most likely. |
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Now You See Me (2013)
Original Format(s) | 35mm |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | May 31, 2016 |
Notes | Shot mostly on 35mm with a 2K intermediate, unlikely to see big improvements unless they went back and did a new scan at 4K for this release. More likely put out with slight color gamut and HDR improvement to coincide with the release of the sequel in theaters. |
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The 5th Wave (2016)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray |
Release Date | May 3, 2016 |
Notes | Very few details currently available. |
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Joy (2015)
Original Format(s) | Super 35 |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, Wide Color Gamut |
Release Date | May 3, 2016 |
Notes | Shot on 35mm but with a 2K master. Hopefully can be rescanned for a 4K master but unlikely given the current releases from Fox. |
Buy From Amazon |
The Revenant (2015)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW (6K), ALEXA 65 |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | April 19, 2016 |
Notes | The ALEXA 65 offers a native resolution of 6560x3100 making some sources for The Revenant easily 4K quality. |
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Concussion (2015)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 29, 2016 |
Notes | Given the small amount of CGI in Concussion it is possible they go back to the original 3.4K elements instead of using the 2K master, but that is uncertain at this time. |
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X-Men: Days of Future Past (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | |
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San Andreas (2015)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Original Blu-ray release includes an Atmos track so assuming the UHD version will as well. |
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The Lego Movie (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Live action scenes shot using an ARRI at 2.8K resolution. Digital Intermediate done at 2K resolution. Could be redone at 4K resolution but given the required rendering time would assume that is unlike at the current time. |
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Mad Max: Fury Road (2015)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Existing Blu-ray includes an Atmos track so no reason to believe the UltraHD version will not have the same one. |
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Pan (2015)
Original Format(s) | ARRIRAW (3.4K), Redcode RAW |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Shot on anamorphic film, RED 5K, and ARRI 3.4K resolution cameras. Digital Intermediate was done at 2K so it could be 4K with 2K visual effects. |
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Life of Pi (2012)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Life of Pi has been another title used by Samsung for HDR and WCG demos the past two years. DTS has also used it as a demo for their DTS demo discs but there isn't a known Atmos or DTS:X track for it. |
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The Expendables 3 (2014)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Shot on Redcode RAW at 4K and 5K resolutions. Current Blu-ray home release includes an Atmos soundtrack so likely the same one will be used for this release as well. |
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The Maze Runner (2014)
Original Format(s) | ARRIRAW (2.8K), Redcode RAW |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | According to IMDB the source format for the visual effects is 5K resolution, so Maze Runner might be a true 4K image aside from shots done at 2.8K with the Arri Alexa. However that might just be the source for the live elements and the VFX were still rendered at 2K resolution. A Red Epic was also used at 5K resolution. Atmos and Auro surround tracks exist for the theater, but a home format has not been announced. |
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Exodus: Gods and Kings (2014)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Samsung has been using clips from Exodus to demonstrate WCG and HDR for over a year now. Noticeably the 4K image makes the visual effects look much less real, so likely they are done at 2K resolution. IMDB indicates that the Redcode RAW used for this is at 5K resolution. |
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Fantastic Four (2015)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Waiting for full details from studio. Original elements are less than 4K resolution so final will be upscaled. Unsure of CGI resolution but with a 2K master a good chance it is only 2K. |
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Hitman: Agent 46 (2015)
Original Format(s) | ARRIRAW (3.4K), ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Waiting on full details from studio. Original elements are less than 4K resolution so will be upscaled. |
Buy From Amazon |
Kingsman: The Secret Service (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | |
Buy From Amazon |
The Last Witch Hunter (2015)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 4K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | |
Buy From Amazon |
Ender’s Game (2013)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | |
Buy From Amazon |
The Martian (2015)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Source formats are 4K or 6K but master is done at 2K. This likely means all visual effects will be at 2K resolution while the live elements will be true 4K resolution. Color grading and HDR are also being done using the original 6K resolution elements for the best overall quality. |
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Sicario (2015)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | March 1, 2016 |
Notes | Sicario was shot with ARRI Alexa XT cameras using the ARRIRAW format. This gives the original a native resolution of 3414x2198. The Alexa XT has 14+ stops of dynamic range so the UltraHD Blu-ray benefits from HDR. ARRIRAW captures video at 12-bits per pixel and supports wide color gamut. |
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Wild (2014)
Original Format(s) | ARRIRAW (2.8K) |
---|---|
Master Format | 2K |
Features | Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | TBA |
Notes | |
Buy From Amazon |
Deadpool (2016)
Original Format(s) | ARRIRAW (3.4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | TBA |
Notes | Shot mostly on ARRIRAW in the 3.4K open gate format. Visual effects were delivered at 4K resolution, and the entire film was finished and graded for 4K HDR. So the UltraHD Blu-ray should take full advantage of the format. |
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Pineapple Express (2008)
Original Format(s) | Super 35, 35mm |
---|---|
Master Format | 2K |
Features | Dolby Atmos, Includes Blu-ray |
Release Date | TBA |
Notes | No details available yet. Shot on 35mm so it would benefit from UltraHD resolution but the existing master is 2K as far as we know. |
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Hancock (2008)
Original Format(s) | Super 35, 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | TBA |
Notes | Full details on soundtrack and other features not available yet. Originally shot on film with a 4K transfer so will be true 4K for live element. Since it was done in 2008 unlikely the CGI is available at a resolution higher than 2K. |
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The Smurfs 2 (2013)
Original Format(s) | F65 RAW (4K) |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | TBA |
Notes | Full details unavailable yet. Shot in native 4K, master is native 4K, unsure of CGI resolution. |
Buy From Amazon |
Chappie (2015)
Original Format(s) | Redcode RAW |
---|---|
Master Format | 4K |
Features | Dolby Atmos, HDR, Wide Color Gamut |
Release Date | TBA |
Notes | |
Buy From Amazon |
The Amazing Spider Man 2 (2014)
Original Format(s) | 35mm |
---|---|
Master Format | 4K |
Features | Dolby Atmos, HDR, Wide Color Gamut |
Release Date | TBA |
Notes | |
Buy From Amazon |
Salt (2010)
Original Format(s) | Super 35 |
---|---|
Master Format | 4K |
Features | Dolby Atmos, Includes Blu-ray, HDR, Wide Color Gamut |
Release Date | TBA |
Notes | Full details not yet known. |
Buy From Amazon |
Volt Lover says
Kind of disgusting to sell 4k UHD discs that are just upscaled
Richard e Courtright says
I agree should be special notation on disc packaging not just 4k
dvdmike says
Good round up, Roger Deakins has confirmed he has personally graded Sicario for UHD HDR
Jonathan Goeldner says
when when when? will the audio specs will be revealed – I’m assuming a number of these releases will have Dolby Atmos as exclusives over it’s bluray counterparts.
Chris Heinonen says
Hopefully soon. Though I’m not making any assumptions on the audio tracks since there have been many theatrical Atmos titles that didn’t get Atmos on the Blu-ray release. Hopefully this isn’t the case, but it could be.
daniel says
A lot of upscales…
don says
I’m sure “The Smurfs 2” will seal the deal for most of us
wilko says
If you want more information how the movies was done, cameras, editing softwares, source formats… you can check this wonderfull site “Shot on what ?” https://shotonwhat.com/ :)
Chris Heinonen says
That is a very nice looking site. It doesn’t have every title in there, but it has a lot of info on most of them. Thanks!
Simon says
“The Martian” unfortunately is only DTS-HD MA 7.1 and not Dolby Atmos. Fox has not authored any UHD-BD in the advanced audio formats as yet. Which really stinks and takes away a big upgrade incentive.
Chris Heinonen says
Fixed. The initial title info that Fox sent out indicated that it would have Atmos, but apparently not.
Danny C. Courtney says
Great source of info, will check here before I purchase any 4K UHD Blu ray discs. How about some more reviews on the list.
Zo says
Xmen not on list?? Is it filmed in 4K?
Chris Heinonen says
They’ve said X-Men: Days of Future Past is coming, but there are no details on it yet. The same for Pacific Rim and a few other titles. X-Men was shot in 2.8K ARRIRAW with a 2K Digital Intermediate, so it it’s a true 4K film.
Danny C. Courtney says
How about more frequent updates to list.
mihadis says
There’s a similar list at http://4kblurays.com
Danny C. Courtney says
Haven’t seen any updates in weeks!!!!
Chris Heinonen says
Sorry about that, I was moving and couldn’t get it updated in a timely manner. Most titles should be there now with the exceptions of those that have been soft-announced (Suicide Squad, Star Trek, Jason Bourne, etc…) that have no release date or specs yet.
Danny C. Courtney says
THANKS for the updates, awesome!!!
TheEclectic says
This is fantastic! Thank you! I’d love to get a sense for which of these titles, if I own the blu-ray, are worth upgrading to UltraHD for and which are not. I get some sense for that in the notes, but still can’t tell definitively.
Chris Heinonen says
We have a section of reviews that covers that more. Most of the guide here is written before they’re released as soon as we have details and specs, but will work to add review links to here once they are available.
Danny C. Courtney says
Just got PASSENGERS, it is Dolby Atmos sound track.
Erick Vinther says
I appreciate your site to let us know what is 2K and what is 4K…yet, there are many other releases you do not address…Wish you would do so..We can’t have enough information.
Steve says
Such a great website. Can we get this list updated? I don’t see Baby Driver or Wonder Woman and a slew of other new 4K movies.
Chris Heinonen says
Yes, hopefully there will be time this weekend and the next two weeks to work on the backlog of titles. We’ve unfortunately been slammed at our main jobs and this has fallen way behind so we will catch it up.
Danny Courtney says
Just watched “Valerian and the City of a Thousand Planets”, awesome video quality, has to be from 4K master copy.
Chris Heinonen says
Nope, Valerian has a 2K digital intermediate. It was shot on an ARRI at 2.8K or 3.4K resolution, not on an Alexa 65 as it isn’t listed as a feature film for that camera at the ARRI website.
slicker55 says
Really helpful list – like some others have said, it’s disappointing to see so many upscales but don’t be put off, the ones I have watched have really been stunning
Derek Mitchum says
Hopefully they’ll start recapturing/remastering some more classic films from 35mm. Close Encounters was the only one I found at BB. Not a lot out there for people who aren’t into special effects movies at the moment, but I’m hoping that will change. Would love to see stuff like Taxi Driver, The Shining, The Godfather, Casablanca, anything David Lynch, Woody Allen, Kubrick, Cronenberg, Ridley Scott, The Coppplas, Wes Anderson, Scorsese, Cohen Brothers etc.. That stuff would be sublime on a giant screen in hi-res.
Preserving older titles so people can experience them with more clarity (and not be left in the dust) was always a huge plus for new formats in my book. Sicario and the original Blade Runner are next on my list! Thanks for the info!
Vimal Sardar says
I’ve also found Bridge On The River Kwai & Grease available in 2160p